Ralonzo

That was satisfying to watch the Chiefs not get a super obvious assist there. It's almost like a fairly officiated last 2 minutes of the half.

Let's see if the refs huddle up and correctly call the intentional grounding

Frank Caliendo isn't very good at blocking, is he

They're fixing it on replay but the point is, every call on the field seems to have to be reversed back toward Washington, the initial call is pretty consistently in favor of KC. This doesn't count the legalized rodeo that is their OL.

That's also a TD for Kelce

That's a TD for Kelce ofc

To be fair, talking about the Chiefs without talking about the refs is Chiefs Planet

Let's take a commercial to decide whether to show the illegal contact or find a way to spin it

The wrong bag to have in front of you for angry snacking during another Chiefs glazefest:

Let's focus on Mahomes flopping on the sideline and not the pass rusher about to grab him getting tackled

You knew that was getting spotted short as soon as side judge Taylor Swift's Sister ran out from the sideline.

Mahomes has that "where is my flag" look on his face

Traditional false start by 74, it's fine, don't worry about it

Holding by 64 worked on the 4th down, not so much on the ensuing 1st down (neither called, because you know why)

Just hand the ball to Mahomes and let him mark it wherever.

Big pump... you going to referee school or something?

He didn't look good in his preseason reps. Then again JaMarcus Ingram was as bad as anyone I've ever seen as a UDFA rookie, so maybe there's upside. I was questioning the wisdom of not having a specific matchup on their one legitimate threat. I saw Bishop on him, Taron, Cam Lewis... linebackers... come on.

The real reason you'd play Hancock with Bishop is it allows Bishop to shade more toward being the box safety and Hancock being the free safety. It's the more natural fit for each.

So I found myself thinking as is wont, "what were the boys from peak Genesis up to maybe 45 years ago?" Peter Gabriel was trending toward shorter, radio-friendly songs. He had come up with an idea to do an album without cymbals and see if anyone would notice. During this process, he incorporated Tony Levin's stick and Phil Collins accidentally discovered the drum sound of the 80's - the gated reverb effect. Some of the songs even became minor hits, and laid the groundwork for an ascension to superstardom by 1986. Genesis were trending toward shorter, radio-friendly songs. Still, they released an album in "Duke" which was an artistic progression and underrated in their catalog. Some of the songs even became minor hits, and laid the groundwork for an ascension to superstardom by 1986. Steve Hackett was trending toward shorter, radio-friendly songs. He released perhaps his most accomplished solo album "Defector." He didn't have any songs become even minor hits, and laid the groundwork for continued obscurity by 1986 which he remedied by joining a band called GTR.

This review stuff is ponderous to the point of I'm going to sleep

That wasn't a face mask PF, fans should be more knowledgeable.

Before the auto body shop (and Back In Black) there was this going on up yar in Newcastle Edit: Just have to throw this on. This is what he was doing (for 350 quid) across the street from the audition in London. He was going to pass, but when the jingle offer came in he said, oh what the heck, I'll go meet the Young boys and it'll be quick and I can get back to Newcastle by morning.

Interesting little movie, this

Mustaine was such a factory back then that he pretty much threw off enough riffs to fill his own albums, and a significant portion of Metallica's early ones (check the McGovney tapes : easy tell on who wrote what - Hetfield's riffs tend to return to the open E string, Mustaine's rarely do). And the thing is they werent verse-chorus-lala, it's four or five of the most crushing riffs imaginable per song. The deep cuts on those early Megadeth albums are still unbelievably hard forty years on. And this was really the best lineup with Samuelsson... listen to some of his drum-isolation tracks. He played like nobody else in metal - probably because he was playing jazz. He syncopates over the riff and you don't really notice, but it adds a power to it that other bands didn't have. Even without any other instruments or vocals, you know right where you are in the song because Gar is ALSO playing riff. Almost like Ginger Baker or Phil Ehart of Kansas.