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Favorite Beatles Album

Gugny

By Gugny
in Off the Wall Archives

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Your Favorite Beatles Album  

94 members have voted

  1. 1. Which Beatles album is your favorite (not necessarily which you think is best) and why?

    • Please Please Me
      0
    • Meet the Beatles
      2
    • Hard Day's Night
      1
    • Beatles For Sale
      1
    • Help!
      3
    • Rubber Soul
      9
    • Revolver
      12
    • Magical Mystery Tour
      3
    • White Album
      15
    • Yellow Submarine
      2
    • Abbey Road
      37
    • Let it Be
      0
    • Sgt. Pepper's Lonely Hearts Club Band (out of order, but I somehow left it out)
      9

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Greybeard Veteran

Greybeard

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On 9/4/2018 at 1:29 PM, row_33 said:

1968 this day

 

Ringo returns!!!

 

Filming of promo videos for Hey Jude/Revolution, David Frost cuts his intro as well for the HJ premier on his show...

 

 

 

        Are these live?    I think Hey Jude is but I can't tell on Revolution.

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T&C
T&C

A unique view of the last time they ever played together:  

Johnny Hammersticks
Johnny Hammersticks

Norwegian Wood and In My Life are two of my favorite Beatles tunes.  I could play Rubber Soul on repeat.  Maybe not the best, but my favorite.

LewPort71
LewPort71

Meet The Beatles  is THE first album I ever bought. So just for sentimental reasons it is my favorite

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row_33 Hall of Famer

row_33

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22 minutes ago, Greybeard said:

        Are these live?    I think Hey Jude is but I can't tell on Revolution.

 

Only The Beatles' lead and backing vocals were recorded live, although instruments and amplifiers were set up. The Musicians' Union had placed a ban on miming, and the live vocals were an attempt to hide this.

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Greybeard Veteran

Greybeard

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3 minutes ago, row_33 said:

 

Only The Beatles' lead and backing vocals were recorded live, although instruments and amplifiers were set up. The Musicians' Union had placed a ban on miming, and the live vocals were an attempt to hide this.

        Interesting in that it sounded like PM was singing along with himself in some pieces of Hey Jude.   BTW, keep these coming.  I am starting to look forward to these as much as I do the TIL's.:thumbsup:

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row_33

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16 minutes ago, Greybeard said:

        Interesting in that it sounded like PM was singing along with himself in some pieces of Hey Jude.   BTW, keep these coming.  I am starting to look forward to these as much as I do the TIL's.:thumbsup:

 

thanks, this is the best year of them for this huge lifelong fan....

 

for the films, Paul's bass for HJ and then Nicky Hopkins' piano for Revolution are without representation :D

 

 

 

 

 

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row_33

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Not much with the boys on this day in 1968.

 

In 1969...  Two films produced by John and Yoko are exhibited at the Institute of Contemporary Arts, London: 'Rape' and 'Self-Portrait'.
During the evening (7.00pm-about 12.00pm), two people sit on stage shrouded in a white bag.

 

 

I was very young back then and still can recall a few adults in my life wondering what the heck John was doing with his life and talent and mind.

 

 

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row_33

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Takes 1-34 of Glass Onion

 

Each take was roughly the same length, apart from take 15 which became a six-minute jam. The group's penultimate attempt, take 33, was considered the best, and overdubs began the following day.

 

 

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row_33

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Work on Helter Skelter/I Will/Cry Baby Cry and Birthday over the next few days

 

Engineer Geoff Emerick resigned during the recording of "Cry Baby Cry", though his departure was precipitated by Lennon and McCartney's obsessions over the recording of both "Revolution" and "Ob-La-Di Ob-La-Da", respectively, and the overall tensions of the White Album sessions. Emerick would not work with the Beatles again until the session for "The Ballad of John and Yoko" nine months late

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Greybeard

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5 hours ago, row_33 said:

1968...

 

Recording: 'Happiness Is A Warm Gun In Your Hand' takes 46-70.  The working title.

 

Mono mix is much better, bass and drums are barely present at times for stereo...

 

 

                   Sometimes you have to wonder what the producer was thinking when they mixed it.  My #1 Beatle example of this is "In My Life."  Having the singing all on one side is really annoying.   In early times, I used to frequent the Newsgroups and a guy there did a remix of "In My Life" with better vocal balance and something a little bit different in the instruments.  It became my go to for that song.

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The Real Buffalo Joe All Pro

The Real Buffalo Joe

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Just now, Greybeard said:

                   Sometimes you have to wonder what the producer was thinking when they mixed it.  My #1 Beatle example of this is "In My Life."  Having the singing all on one side is really annoying.   In early times, I used to frequent the Newsgroups and a guy there did a remix of "In My Life" with better vocal balance and something a little bit different in the instruments.  It became my go to for that song.

It was literally just experimentation. Day Tripper, Yellow Submarine, and a few more I can't remember off the top of my head do this. 

 

The positive thing about it, is if I has speakers or headphones not working, I play Yellow Submarine, and I know that if I'm hearing instruments and no vocals, my right speaker isn't working, or vice versa. So I just keep that playing on repeat till I get them working. Lol. 

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row_33

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1 hour ago, Greybeard said:

                   Sometimes you have to wonder what the producer was thinking when they mixed it.  My #1 Beatle example of this is "In My Life."  Having the singing all on one side is really annoying.   In early times, I used to frequent the Newsgroups and a guy there did a remix of "In My Life" with better vocal balance and something a little bit different in the instruments.  It became my go to for that song.

 

They did what they could at the time, uneven recordings and mistakes abound, the squeaky bass drum pedal in All I’ve Got To Do is a good one. 

 

it is my understanding that Paul was the most active Fab in mixing it from mono to stereo, why he allowed the Mother Superior section to remove him and the cymbal crashes is a mystery to me. Paul didn’t seem the type to shy away from enhancing his bass presence starting with Rubber Soul.

 

white album diffs in mono for the speed of Don’t Pass Me By and parts of Sexy Sadie and Helter Skelter make it better for me in mono at times.../

 

 

 

 

 

 

 

 

The recent long interview with Macca in GQ is depressing, but he is what he is.

 

 

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