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Led Zeppelin - How Many More Times


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4 hours ago, GETTOTHE50 said:

 

Whattttt some of the their best grooves are on presence! And that’s not including Achilles imo. Overrated song. 

 

However, Nobody’s fault but mine is an absolute stomper. For your life is heavy too. 

 

Royal Orleans, ‘oh baby babbbeehhh’ how can you not sing along to that or the part in hots for nowhere where plant goes ‘la laaa laaa la la la laaaaa yeahhhhhhh’

 

 

 

 

My only criticism of Presence would be the album cover. Not a fan, they had much better, but who really cares.

 

My only criticism of your post is the Achilles shade. Love the song, especially Bonham's devastating fills.

Edited by SinceThe70s
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3 hours ago, Foxx said:

it was also superior in many ways to the 60's.

 

1 hour ago, row_33 said:

 

I’ll pretend I didn’t read that....

 

Musically, the 60s and the 70s were both awesome, but very different in many ways.  Kind of like DLR-era Van Halen vs. Sammy-era Van Halen.  All great music, but so, so different.

 

70s still had plenty of awesome rock.  Then came disco.  I openly admit that I LOVE disco music.  It's fun, it's happy and the bass lines are friggin' TIGHT.

 

The late 70s saw rock bands jumping on the disco bandwagon (as I tell my son about bands "selling out," .... gotta pay the bills!) - McCartney/Wings' "Goodnight Tonight," is a great example.   Hell, even KISS jumped in with, "I Was Made for Lovin' You."

 

Every "decade" has awesome music.  I do think the 60s were far superior to the 70s, but that doesn't mean the 70s sucked, by any means.

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The album cover for Presence does indeed speak a lot about the 70s. Far from what Jagger was doing on the cover of Goats Head Soup.

 

i will acknowledge that the creativity through acid was long gone by then.

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Re: Presence (from wiki) The cover and inside sleeve, created by Hipgnosis with George Hardie, features images of people interacting with a black obelisk-shaped object. Inside the sleeve, the item is referred to simply as "The Object". It was intended to represent Zeppelin's "force and presence".[3][20] Hipgnosis cofounder Storm Thorgerson wrote that the obelisk represented the power of Led Zeppelin, saying they were "so powerful, they didn't need to be there".[21][22] Both Page and Plant have said that the presence of the object in the photographs made people stop and think about what is real, which reflected the music.[22]

The background in the cover photograph is an artificial marina, installed in London's Earl's Court arena for the annual Boat Show, in the winter of 1974–75. The band played a series of concerts at this venue in May 1975, a few months after the boat show. The inner sleeve photographs came from various archive stock pictures, and was designed to resemble a feature in National Geographic.[23] The girl on the back cover photo is the same one that appeared on Houses of the Holy.[20] Hipgnosis and Hardie were nominated for a Grammy Award for Best Album Package in 1977.[24]

 

 

Very cool trivia in the bolded text above!!

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21 hours ago, GETTOTHE50 said:

 

Whattttt some of the their best grooves are on presence! And that’s not including Achilles imo. Overrated song. 

 

However, Nobody’s fault but mine is an absolute stomper. For your life is heavy too. 

 

Royal Orleans, ‘oh baby babbbeehhh’ how can you not sing along to that or the part in hots for nowhere where plant goes ‘la laaa laaa la la la laaaaa yeahhhhhhh’

 

 

 

For your life is the most underrated Zep song in my opinion! 

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On 1/10/2019 at 11:32 PM, row_33 said:

RThe descending bass riff found in

 

Babe I’m Gonna Leave You from LZ 1

25 or 6 to 4

While My Guitar Gently Weeps

 

has been noted as a very common pattern, but I can’t come up with another knowable song from the rock era that has used it

 

any other songs that use it that you can think of?

 

 

 

Dream On - Aerosmith

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4 hours ago, Gugny said:

 

Dream On - Aerosmith

 

Will give another listen, can’t hear it in my memory of the song

 

25 or 6 to 4 is built on it from the first second and is my template in memory 

 

WMGGW was recorded first, the issue would be originality but it hasn’t been a big deal even in a music world filled with plagiarism claims

 

 

Edited by row_33
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4 hours ago, row_33 said:

 

Will give another listen, can’t hear it in my memory of the song

 

25 or 6 to 4 is built on it from the first second and is my template in memory 

 

WMGGW was recorded first, the issue would be originality but it hasn’t been a big deal even in a music world filled with plagiarism claims

 

 

 

It's the bass line I'm referring to in Dream On.  Should have specified.

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5 minutes ago, Gugny said:

 

It's the bass line I'm referring to in Dream On.  Should have specified.

 

I think I understood, I’ve heard the song a lot and never made the connection, will listen again this week.

 

 

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On 1/12/2019 at 12:23 PM, Gugny said:

Re: Presence (from wiki) The cover and inside sleeve, created by Hipgnosis with George Hardie, features images of people interacting with a black obelisk-shaped object. Inside the sleeve, the item is referred to simply as "The Object". It was intended to represent Zeppelin's "force and presence".[3][20] Hipgnosis cofounder Storm Thorgerson wrote that the obelisk represented the power of Led Zeppelin, saying they were "so powerful, they didn't need to be there".[21][22] Both Page and Plant have said that the presence of the object in the photographs made people stop and think about what is real, which reflected the music.[22]

The background in the cover photograph is an artificial marina, installed in London's Earl's Court arena for the annual Boat Show, in the winter of 1974–75. The band played a series of concerts at this venue in May 1975, a few months after the boat show. The inner sleeve photographs came from various archive stock pictures, and was designed to resemble a feature in National Geographic.[23] The girl on the back cover photo is the same one that appeared on Houses of the Holy.[20] Hipgnosis and Hardie were nominated for a Grammy Award for Best Album Package in 1977.[24]

 

 

Very cool trivia in the bolded text above!!

 

If the intent was to represent Zeppelin's "force and presence" it missed the mark for me. I'm reminded of a quote from Spinal Tap:

 

I think that the problem may have been, that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. Alright? That tended to understate the hugeness of the object

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11 minutes ago, SinceThe70s said:

 

If the intent was to represent Zeppelin's "force and presence" it missed the mark for me. I'm reminded of a quote from Spinal Tap:

 

I think that the problem may have been, that there was a Stonehenge monument on the stage that was in danger of being crushed by a dwarf. Alright? That tended to understate the hugeness of the object

 

Can I ask a practical question at this point? Are we gonna do Stonehenge tomorrow night?

 

 

Edited by row_33
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