Yeah well, Vernon Butler, Star, Mario Addison, Jerry Hughes, Efe Obada and Horrible Harry can't stop the run or rush the passer.
So I don't know how our D is going to contain their RB's or get to Rodgers.
That's entirely rational. Part of me wants the Jets to squash the Pats and cement their doormat status in the division. And then that just sets the Jets hopes up to be burst even more when we meet next week.
I think the real question is with the recent additions by the Eagles and Chiefs, have they caught up to the Bills taken level? Bc let's be real, that why they both added players, to try to close the gap with us.
He used to be more fun to watch. But I think he's getting more tentative taking off full speed. Getting hit a few too many times by NFL defenders will make you think twice.
I'm just saying it will continue to get much less annoying as the ability to manipulate the apparent contrast ratio continues to improve. And it's really only an issue on sunny days, and since Buffalo only averages 54 sunny days per year (mostly in the summer) you've got that going for ya!
Dark and light are relative. The human eye can see all of the color in shadows and direct sunlight at the same time just fine. Older cameras have less dynamic range that the human eye, so the contrast between shadow and direct sunlight is severe...
Newer cameras have much better dynamic range than the human eye. So they can render all of the color in the shadows and all of the color in the highlights, making the contrast between the two much less. No more washed out sunny field or blackened shadows...
And the signal can also be processed to increase the brightness in the shadows and decrease the brightness in the highlights as long as the camera can properly expose both highlight and shadows at the same time. Older cameras could only properly expose one or the other... And the most annoying thing ever was watching a game with the camera set to auto exposure, so the picture would constantly pulse between all white highlights or all back shadows.
It's the networks cameras, and they're locked into massive investments in older broadcast technology. 4k cinema cameras that have a million times better image quality are a fraction of the price of the old dinosaur tv cameras.
The shots they cut away to on the field that look cool as hell are often freelancers with a $2,000 camera and it looks a million times better than the $500,000 camera shooting the sideline...
But yeah, they need to get with the times.