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This is pathetic


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In truth, I do appreciate the genre for what it is...but I don't consider it music.  That's just my musical bigotry showing, though...I'm just old-school when it comes to music, in thinking it should have harmony in addition to rhythm.

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True, it's more like story-telling, or a poetry slam with a beat. Much of the rap/hip-hop stuff all sounds the same to me, but then again, so does the blues or jazz.

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The early gansta rap was pretty groundbreaking stuff because it spoke about how life was in some of the worst areas to live in america.  That NWA-Straight out of Compton record is a brilliant, powerful piece of expression.  You don't have to enjoy the music, but you have to appreciate the brutal honesty of it.  There is no other record like it in this genre, all else pales in comparison, and just about everything else in the genre is crap/fantasy/cartoonish.

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Oh, please.

 

Why is there no record like it? Because they were the first to curse in the songs? Care to describe how NWA was more revolutionary than Public Enemy, or even the tame Grandmaster Flash & FF?

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Oh, please. 

 

Why is there no record like it?  Because they were the first to curse in the songs?  Care to describe how NWA was more revolutionary than Public Enemy, or even the tame Grandmaster Flash & FF?

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And just where have YOU been, young man?

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A LOT of people would disagree.  Maybe it's just past your time.

 

BTW, how do you feel about black people?

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Hey, White rappers suck too.

 

Maybe we should ask you the question "Do you play an instrument?"

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Oh, please. 

 

Why is there no record like it?  Because they were the first to curse in the songs?  Care to describe how NWA was more revolutionary than Public Enemy, or even the tame Grandmaster Flash & FF?

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GM-Flash and the Furious Five’s early sides were heavier on the “partytime” angle, and only barely scratched the surface of how socially conscious the genre could be (I don’t consider them “gansta rap” anyway). You make a good point about Public Enemy, but I feel (just an opinion) that they stuck more to a politicized African-American empowerment/nationalism line, rather than beating you over the head with how it is to just survive in that environment. NWA speaks more to black urban alienation and doesn’t go anywhere near the politics PE does, or the feel-good-time Flash does. All three are excellent examples of how rich the rap musical genre could be/was, and how lame it has become.

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GM-Flash and the Furious Five’s early sides were heavier on the “partytime” angle, and only barely scratched the surface of how socially conscious the genre could be (I don’t consider them “gansta rap” anyway).  You make a good point about Public Enemy, but I feel (just an opinion) that they stuck more to a politicized African-American empowerment/nationalism line, rather than beating you over the head with how it is to just survive in that environment.  NWA speaks more to black urban alienation and doesn’t go anywhere near the politics PE does, or the feel-good-time Flash does.  All three are excellent examples of how rich the rap musical genre could be/was, and how lame it has become.

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Good summation.

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No, the main reason they were purged is because they got too big for their britches.  The racial philosophy and politics of the Nazi party was dangerous BS...but it was fundamentally BS.  The real motivations behind the party politics were almost universally about power, not race.  The SA simply became too powerful an arm to be tolerated, particularly by the Wehrmacht...so Hitler bought the Army's acceptance of Nazi rule by doing away with the SA.

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Then you totally dicsount the fact that the SA filled it's ranks with semi-illiterate "beefsteak socialists" that wouldn't toe the line with Nazi racial and political ideologies?

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